© 2010 Transplant / Mathieu Lehanneur.
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Our mission at Nordic Materials is to collect knowledge about material technologies and processes that have the potential to evolve your design and production sustainably, formally and functionally. In our materials updates, like this one, you can read our point of view about a special theme. This time, we bring you the interesting point of view of Mathieu Lehanneur, french designer, who came to visit us in Transplant this summer.
Like a shock absorber, his work dresses the daily wounds we have in our interiors. Welcome in the 4th dimension, where the objects live like robots, using their superpowers to improve our life.
© Mathieu Lehanneur
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Impregnated by his first vocation, medicine, Mathieu Lehanneur took design close to the body, primarily with drugs. Even if a drug is bearer of healing, it has also undesirable effects, by improving the relationship people have with drugs, he aims to make them more pleasant. This studies project, still alive, is waiting patiently in the Moma, New York, to find a place in the pharmaceutical industry.
What would humans need inside their house, more than the ergonomics? Let’s not forget that our five senses and our immune system make the link with our exterior, and not only the touch through direct contact. Everything which is in contact with us or around us has an effect and affects us. We have needs in heat, light, silence, oxygen and immunity. Study those elements and try to complement them, by emission, absorption or transformation could lead to a perfect balance. Mathieu Lehanneur brings an impalpable comfort, which acts like micro-anaesthesias on several levels of our perception.
Imagining that the indoor is more polluted than the outdoor seems like a misunderstanding. Thinking that our hiding place, our cocoon, our home, is the best shelter we have, is simply a dream. Interior pollution comes from design and designers. Crazy but true, the plastics which compose our furniture liberate harmful gasses. The materials composed of polymers, glass fibers and insulating materials, expire and emit volatile components which take place in our body and poison it. NASA, following the return of its astronauts from the space, found them totally intoxicated by the emissions of the material components comprising the interior of the shuttle.
© Mathieu Lehanneur
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Gardener at heart, Mathieu Lehanneur designed a solution using plants. He takes nature in its raw state for its functional aspects. As with O, the Element transmitter of oxygen containing a green alga solution, he gave birth to Bel-Air (beautiful air). A cleansing filter is associated with a depolluting plant (Clorophytum, Philodendron, Gerbera, Spatiphyllum, or Pothos) and a high tech ventilator. This prototype, was produced in pyrex (infinitely solderable) and aluminum, two materials which emit no gasses. Andrea, the produced product version stimulated our interest because of its components, polycarbonate and ABS plastics; unexpected materials for a cleansing filter. The designer explained us this choice, which goes against the concept of this object:
“The use of aluminium and pyrex would have multiplied the production price the weight and transport cost by 10. The extra weight would have largely increased the carbon footprint of the product. The plastics in comparison, is lighter and on this point of view, are more attentive to the environment. The polycarbonate component used for Andrea was initially destined to produce baby-bottles, but as it was declared toxic for food contact, the stock was in pending, waiting to be incinerated”, explains Mathieu Lehanneur.
In a sense, the use of a harmful plastic for the creation of his filter, was more respectful of the nature than the use of the ideal and obvious green material. As Andrea absorbs its own pollution, his choice doesn’t disturb the function and the utility of the product, but seeks to find it’s sustainable balance. Later, like with drugs (savers and poisonous), we’ll discover the effects of Andrea.
© Mathieu Lehanneur
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We declare our love to Mother Nature, by fear of destroying our cradle, to upset the cycles of the planet or by simple awareness. We remove our pink tinted glasses and discover the world, a little dull. Let’s paint it in green with a branch in the place of a brush, just for fun. We eat green, we wear green, we sit green… and we even speak green. Sustainability, eco-friendly, we use so many words which sounds like a new way to think, is it a religion or a new trend? This way to communicate seems to be the new language of both manufacturers and designers, sprinkled on by marketeers and the media to be served on wood plates, like our buried past. Today we wish to change, but do we take the good turn ? According to Mathieu, there is a desire of simplification of a such complex problem that the designers try to resume only at the surface of the objects:
“Of course, the choice of materials has to be done in an overview of its cycle of production, of use, of life and death. Questions of energy (extraction, manufacture, transformation, recycling, transport, …), water, chemicals, quality (recycled plastics, do they perform as well a the others?), price (unfortunately), …. Yes the products have to be made with the most respect to the environment as possible. Designers follow the flow, by belief or trendy mood and give to their clients those wooden plates, but this won’t save the world. Let’s just hope it will improve a small part of it. The problem today, is when a client wants it to be seen, to develop a sustainable image because it’s “commercially correct”. Mathieu concludes: “I am alert to never adding a varnish, a blush of sustainability for it to look eco-friendly”.
To be or to look green, that’s a question!
©2010 Transplant / Mathieu Lehanneur Pyramid of Age in Transplant.






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