In this beginning of the year Ralston & Bau has been asked to apply profiling designs on a series of small communication tools, such as cups, t-shirts and banners for the fair stand of Driftig.no Sogn og Fjordane’s Internet platform for education and businesses. The profiling of a company is only as strong as the coherent application that is made of it. Therefore we like to make the most of these communication tools. We consider them an opportunity to enrichen the initial design. Driftig.no will be present at carrier fairs all over Norway during 2010. The first date is in Oslo the 1st of February, (where you can also find Transplant represented), then in Trondheim the 11/02 and in Bergen the 16/02.

Name: Driftig
Mission: Merchandising Products
Client: NHO, Innovation Norway and the County of Sogn and Fjordane
Period: 2009
Delivery: concept, graphic design

.

.

.
AccessA is Australia’s National Network for infertile patients. They support families which need knowledge and assistance on the path of getting a child. Handling this delicate subject, AccessA s’ aim is to inform and give a helping hand. AccessA’s strength is their international network that they use to keep artificial procreation matters on the top of the agenda in Australia and in the world.

Sandra Dill was one of Birgitta Ralston’s first clients in the beginning of the 90’s when they worked on the design for an international organisation. When Sandra needed design for AccessA, which she presides, she googled and found Birgitta! This was the beginning of a change of look from the outdated identity. Logo and the communication documents and website has been redesigned since. A newly designed website will soon be online as well.

We were inspired by the icons and colours of the aborigines for the head illustration used on the communication tools. Colours as orange, for the local earth, fresh blue and green are combined through the profile. We intended to make the information flow as easy as possible, resulting in two main sections: everything what describes the journey the member is facing are marked with blue; and the help AccessA provides uses a green background.

AccessA also confided in us the mission to design the AccessA newsletter on a yearly basis. with the creation of a new illustration for each issue.

www.access.org.au

Name: Access
Mission: Patients Network profiling
Client: Sandra K. Dill
Period: 2009
Delivery: concept, profil reneweal, communication tools, web design


.

.

.
The Willy furniture series is designed in three in different colour and material options. An interior collection has also been designed to fit with the furniture. It comes in two colours and material options for the textiles, floors and walls in each furniture series. To make the choice to select Willy furniture as simple as possible, we created system folders for the furniture & interior selection process.

The first part of the selection process involves choosing one of three Willy ocean themes (Pacific, Atlantic, Indian) that are representative of the colours and materials, after this you must select one of the fitting port themes (Los Angeles & Panama, Bergen & Havanna, Singapore & Mumbai) for the rest of the interior (besides the furniture). To complete the Willy look you choose then a general warm or cold theme for the less flexible parts of the ship that can only be slightly altered due to technical specifications such as the bridge and day rooms.  A simple graphic description guides you through these three Willy selection steps.

If you want to see more of the Willy furniture click here, to see the Willy identity click here.

www.vestnesocean.com

Name: Willy
Mission: Maritime Furniture & Interior Collection
Client: Vestnes Innredning
Period: 2005-2008
Delivery: concept development, interior design, furniture design and development, strategy , brand identity, web design, illustration
See also: Willy – Identity & Fairstand

.
Bespoke furniture completed the interior of the intimate “Sous les Cerisiers” restaurant in Paris. The monumental bar, in the middle of the room, provides generous space for the Sakura cooking courses. Layers in bright and dark colors building the top in which a sink and a stove are integrated. The used material, a mix of granulated recycled plastic mixed with a polyester based plastic, has lovely natural details in itself and is 100% recyclable.
The tabletops of the dining area are made of the same material – in creamy tones for the bright area, in grey and brown for the dark. Small pieces, on top added, build a mini stage for japanese sauces and delicacies.

To see the whole interior of the restaurant click here, for the Sous les Cerisiers identity click here.

www.souslescerisiers.com

Name: Sous les Cerisiers
Mission: Japanese-french Restaurant
Client: Sakura Franck
Period: 2008-2009

Delivery: concept, interior design and development, material selection, furniture design, identity.

.

This intimate space in Paris is dedicated to a balanced fusion of Japanese and French gastronomy was designed by Ralston & Bau. “Sous les Cerisiers” (under the cherry trees) is your invitation to taste the delicious cooking of Sakura.

Both cultures have influenced the interior concept. A deep theatrical influence on the surroundings, typical in Japan and France, can be seen through the layers of scenography, costumes and shadows cast throughout the interior. A contrast of dark and light divides the room into two parts: the bright space with the bar as a center point is used for cooking courses during daytime, and the dark part, following a perspective angle, where the guests are placed to enjoy a gastronomic menu at night. Moveable and translucent walls separate the seating areas for privacy.

The official launch of the restaurant took place the 22 of September 2009.
To see details of the restaurant furniture click here, for the Sous les Cerisiers identity click here.

www.souslescerisiers.com

Name: Sous les Cerisiers, 10, rue Stanislas, Paris 6e
Mission: Japanese-french Restaurant
Client: Sakura Franck
Period: 2008-2009

Delivery: concept, interior design and development, material selection, furniture design, identity.

.

© Ralston & Bau

.
Norway’s leading stair producer, Hagen, choose Ralston & Bau to transform an old tramway garage in Skøyen, Oslo  and make it into it’s flagship showroom.  The 1000 m2 space was inaugurated by Fabian Stang, the mayor of Oslo on the 27th of August 2009.

The concept is inspired by the works of the artist M. C. Escher, who used stairs as a major subject in his art. When you enter the showroom you arrive at the entrance of the Stair Garden – before your eyes different stairs are leading up to a second floor. Individually styled rooms give each stair a fitting surrounding, for example a Japanese inspired interior with a dark laqued stair and a happy family’s home entrance, where the stair becomes a playground.

Meeting spaces are included among the stairs. The whole Stair garden is an invitation to discover the product in an exquisite and human environment.

Name: Studio Hagen, Drammensveien 130, Oslo
Mission: 1000 m2 flagship showroom
Client: Hagen AS (Stryntrappa and Escalia)
Period: 2008-2009
Delivery: concept, interior architecture and design, facade design

© 2009 Ralston & Bau. Figgjo Exhibition in Måltidets Hus in Stavanger.

.
Måltidets Hus is the new 9000 m2 national and international resource centre for food development, host of the Gastronomic Institute and Norwegian chef team. Ralston & Bau was commissioned by Figgjo to make an permanent installation in the reception hall. A central wall that runs three flights high was transformed into a generous, vertical feast table. Combined iconic Figgjo dishes form organic shaped plates and bowls of the table, the wall was covered with a innovative laminated wood material simulating a linen table cloth. The wood was engraved with the shapes of ghost silver ware and glasses, while a classic chair backrest on the wall top completes the illusion of the vertical table. The installation was opened to the public on the 16th of September. If you are in Stavanger, just pass by to take your bite of the vertical meal.
The installation is published amongst others on David Report, NotCot and Designspotter.

Anders Thingbø, CEO Figgjo thinks: This project has had found it’s own path since it s truly innovative! The reception of the finished result was allround positive…and the final design a surprise to many.
Constance Gaard Kristiansen, product manager Figgjo: I like the vertical table more and more!

Name: Permanent installation in Måltidets Hus
Mission: Installation wall
Client: Figgjo AS, Stavanger
Period: 2008-2009
Delivery: concept, design, material selection, technical production drawings.

.
The theatrical influence from the interior design is continued in the development of the visual identity of the “Sous les Cerisiers” restaurant. A traditional textile costume clasp with soft, natural curves was the inspiration for the logo. The menu cards soft golden paper follows up the costume idea: through pre-punched holes a delicate ribbon bound the changeable menu sheets inside. Each menu uses a different style of classical theater costume ribbon.

To see the whole interior of the restaurant click here, for details of the restaurant furniture click here.

www.souslescerisiers.com

Name: Sous les Cerisiers
Mission: Identity for Japanese-french Restaurant
Client: Sakura Franck
Period: 2008-2009

Delivery: concept development, interior architecture, furniture design, brand identity,
profiling documents.

“Willy is part of the whole, an interior concept developed exclusively for ships.” Jonny Bjørnset, Vestnes CEO.

.
To complete the Willy project, we designed a whole new identity. After developing the brand name Willy, we created a new logo, brochure and the web design for the super tanker company Vestnes Ocean Group. Inspired by the boats itself, we used strong colors, simple lines and the soft shapes of the furniture.

The maritime furniture collection Willy was first presented to the public in June 2007 at the International Shipping and Maritime Exhibition and Conference NorShipping in Oslo, Norway. In order to show Willy furniture in use as realistically as possible we asked an theater actor to live in the Willy fairstand for the full two days of the conference. Customers were able to sample and see how they sleep, sit, eat or read in a Willy furnished environment.

If you want to see more of the Willy furniture click here, to see the Willy Maritime Furniture & Interior Collection click here.

www.vestnesocean.com

Name: Willy
Mission: Identity & Fairstand
Client: Vestnes Innredning
Period: 2007-2008
Delivery: concept development, interior design, furniture design and development, strategy , brand identity, web design, illustration
See also: Willy – Maritime Furniture & Interior Collection

.
Vestnes Ocean is an experienced maritime interior builder and the initiator of the Willy furniture collection. We felt that the maritime furniture available on the market lacked an understanding of the living conditions on-board vessels. Willy, is the result of a strong knowledge of the boat industry and contemporary design skills. The designers Ralston & Bau, introduced simple shapes, new materials and techniques to make user friendly furniture.

“Low drawers are rounded, providing more floor-space for the feet and doors are soft, to make corners inoffensive. The furniture shapes are inspired by the famous orca Willy, who lived happily in a fjord close to Florø on the west coast of Norway, where Vestnes Innredning is located. We wish you a pleasant life in the company of Willy.” Jonny Bjørnset, Vestnes CEO.

After the concept sketching phase, we visualized the whole Willy range through 3D scale models in order to aide agreement with the project group over every detail. This also made it possible for us to visualize the functionality of the whole space.

The series has simple shapes and through the use of new materials and smart functions we created user-friendly, space optimized furniture.

The Willy furniture is designed in three series in different colour and material. An interior collection has also been designed to fit with the furniture. If you want to get to know more about the Maritime Furniture & Interior Collection click here, to see the Willy identity click here.

www.vestnesocean.com

Name: Willy
Mission: Maritime Furniture & Interior Collection
Client: Vestnes Innredning
Period: 2005-2008
Delivery: concept development, interior design, furniture design and development, strategy , brand identity, web design, illustration
See also: Willy – Identity & Fairstand

Photos: © 2009 Vegard Fimland for Vestnes Ocean
.

.
180 degrees is a desk lamp made from aluminum that gives a soft light by simple reflection on the inside of the shape. Writing without the hand casting any shadow is made possible with this multi-reflected light.

Name: 180 degrees
Product: Desk Light
Edited: prototype by Gau in 2002

.
For Hagen’s, Norway’s leading wooden stair producer, new shop-within-a shop concept Ralston & Bau designed a modular display solution to present materials and stairs. The full scale prototype was produced in Transplant’s model workshop.

The display is a simple corner module with fixed floor, that can stand alone or as part of a combination of two, three or more modules, depending on the shop space and articles that will be presented.  Full scale steps, placed as if cut away from a bigger staircase, give the user an interactive sensation of walking upward. The space surrounding the stairs leaves ample space to exhibit stair products such as steps, handle samples and materials.

Name: Hagen Display
Client: Hagen Trapp
Period: 2008-2009
Delivery: concept, furniture design, concept models, full scale prototype

.
“Driftig” is an online platform for entrepreneurial learning, motivation and guidance. On “Driftig” you can find useful articles and links about “Lære” (learn), everything from kindergarden through to high-school. In the “Skape” (create) section you will find guidance on how to establish your own business. “Drive” (drive) is where to find tips and advice about improving your existing business.

The identity of Driftig is awarded for the Design and Design International Award 2009.

“Driftig.no“, Sogn og Fjordane’s Internet platform for education and businesses.

Name: Driftig
Mission: Online Platform
Client: NHO, Innovation Norway and the County of Sogn and Fjordane
Period: 2008
Delivery: concept, graphic design, web design and development

.
The concept development and design of this former East Finmark caravan park has transformed it into an internationally acclaimed luxury resort and the first Norwegian member of Design Hotels TM. The Other Side is inspired by the local Samé culture, the sport of dog mushing and the ornamental richness of nearby Russia.

The world of the owners was of great inspiration to the concept of The Other Side.
They are both experienced adventurers and dog mushers.

Twelve Element Houses are positioned in groups of three, providing private housing. Each are designed following the basic elements of the Samé culture; wind, fire and water. Outside the houses, the visitors confront nature; experience the magic of the midnight sun in summer, the Northern lights and the extreme cold of winter.

Neiden is situated only a few kilometers from the Russian border. Just next to the plateau there is an unique orthodox chapel. The project is under development.

www.theotherside.no

Name: The Other Side
Mission: Design Hotel
Client: Merethe Mikkola and Bjørnar Bjørkhaug
Period: 2005-ongoing
Delivery: strategy, concept development, interior architecture design,
interior design and development, brand identity and profiling, illustration

.
Ralston & Bau designed Transplant, a new Norwegian innovation and design center in Dale i Sunnfjord, which opened in August 2007. The building itself was developed by the former Renzo Piano architect Attila Eris who also designed the Paul Klee center in Bern, Switzerland.

The building
Ralston & Bau designed and developed the concept of Transplant, the interior of the building, the facade and the visual identity.

Paper wall
Ralston & Bau worked together with Duralmond, a Spanish based company, on the design and development of the facade of Transplant. It is inspired by stacks of paper and was designed exclusively by Ralston & Bau and for Transplant in 2006.

Think & Share
Transplant is a platform where design, art, music and new materials work in unison. This is a space for freedom of thought, experimentation and adventures involving all human senses in an unique surrounding. Ralston & Bau incorporated three wings into the design of the building, each around 200m2, to represent each aspect of their dream idea factory: one wing is to think, another one to experiment and share, and a final wing to shape.

Name: Transplant
Mission: Design Competence Centre
Period: 2005-2007
Delivery: concept development, interior design, furniture design, facade design, visual identity

photos: © 2009 Vegard Fimland

.
Blueway is Northern Europes leading helicopter company. Blueways fleet of helicopters offer international services in the fields of Oil & Offshore, Infrastructure, Environment and Search & Security. We were asked to visualize their future vision by building a whole new profile.

Blueway is amongst others the mother company of Helikopter Utleie AS. They are based in Stryn on the west coast of Norway and use the brand name Fjord Helikopter for all travel- and tourist offers. We created their new logo following theBlueway flow.

www.blueway.no

Name: Blueway
Mission: Company Profiling
Client: Airlift / Blueway
Period: 2007-2008
Delivery: visual identity, profiling documents

.
We worked together with the Norwegian Seafood center on a series of recipe cards and badges for childrens cooking workshops.
“I ate you! / Superenergy / Brainbooster”

www.vilvite.no

Name: Seafood For Kids
Mission: Merchandise Competition
Client: Vilvite
Period: 2007-2008
Delivery: graphic design, illustration

© 2008 Product photos by Vegard Fimland for Kystvilt.
.

Kystvilt is a game meat product from the West coast of Norway. This high quality meat is even more special due to it’s unique taste that comes from the flavor of the blueberries that the deers eat during the Summer along the coast.

The handmade sausages and meats come in jute bags with detailed descriptions of the content and their origins for the customers. The design of Kystvilt is inspired by hunters and nature and is awarded for the Design and Design International Award 2009.

Name: Kystvilt
Mission: Design for a Game Meat Producer
Client: Bjarte Mads Midtbø
Period: 2006-2007, 2008
Delivery: strategy, identity & branding, packaging, art direction of photography

.
Modular signal system for tourist information about continental Europe’s largest glacier and norwegian national park. Totem and information modules are placed at twenty seven information spots around the park.

The modules are fixed to the surface of the terrain with a concrete and wood structure. This structure is then covered with natural materials sourced from the surrounding area to create as natural a look as possible, as if the module has grown from the ground. For example, when the module is placed in an inbuilt area the module’s supporting structure is hidden by paving stones. When the structure is placed in a grassy field the structure is hidden by surrounding grass. The information on the modules has been specifically adapted to provide information regarding the area surrounding each module. The closer to the glacier, the more specific the information becomes about the glacier.

The main material of the modules is a mix of granulated recycled plastic mixed with a polyester based plastic which is 100% recyclable. The blue semi-transparent colour is custom made for this particular project and called “ice blue”. It was exclusively designed by Durat for Ralston & Bau.

Name: Jostedalsbreen Nationalpark signs
Mission: Glacier Modules
Client: Statens Naturoppsyn
Period: 2005-2007
Delivery: concept, information structure, module industrial design, graphic design

.
We created a whole new identity for our local Fjaler region. The people here are  open minded to new cultures and different nationalities, the light is unique in every season and places of interest and business sit next to each other like butter and bread. These every day and local experiences influenced the final designs.

Name: Fjaler Kommune
Mission: Municipality Identity
Period: 2006-2008
Delivery: identity & branding, publications, art direction for web

.
Sur un Arbre Perché is a restaurant in Paris. The concept is based on a fable by Jean de la Fontaine,
“The Crow and the Fox” and proposes a space based on childrens dreams and contemporary comfort.

Just next to the heavy traffic of a Parisian boulevard, the restaurant presents a breath of fresh air with Nordic inspirations. Wood from a 200-year old barn has been utilized to create intimate spaces on different levels.  The white tree is placed centrally in the restaurant, spreading its leaves throughout the whole space. On the entry level it is covering the ceiling, on the first floor it is painted on the floor.
From the tree, four rocking chairs are hanging to receive guests for a relaxing meal for two. These seats are always reserved. The restaurant has several levels that create secluded intimate spaces. Sails diffuse and make the lighting more indirect. The Nest chair and table for 2 or 4 person was especially designed for this restaurant and are made out of rought iron and polyethylene.

Sur un Arbre Perché is a restaurant which offers different pleasures.
The restaurant includes a Tea and Shiatsu salon.

www.surunarbreperche.com

Name: Sur un Arbre Perché
Mission: French Restaurant
Client:
Period: 2002-2005, 2007
Delivery: concept development, interior architecture, profiling, web design, furniture design
See also: Nest Chair

.
Sur un Arbre Perché has been selected as “One of the most unique Restaurants in the word” in their selection “Extreme Restaurants” in 2009. Read more here …

.
Nest chair was specially designed for the “Sur un Arbre Perché” restaurant in Paris. The chair, as well as the restaurant, is inspired by Jean de la Fontaines fable “The Crow and the Fox”.

The chair is produced in wrought iron and the pillow in natural latex.

www.surunarbreperche.com

Name: Nest Chair
Mission: Furniture for Sur un Arbre Perché
Client:
Period: 2002-2005
Delivery: furniture design and development
See also: Sur un Arbre Perché

.
An old warehouse that has been transformed into comfortable apartments that are available for tourists to rent in Dale in Sunnfjord.

From the choice of colours to the names of the apartments and the images on the walls, inspiration came from the old steam boats that used to dock at the Dampskip ekspedisjon. A warm interior that maintains a distinct touch of simplicity. The D/S chairs and tables were especially designed and manufactured for D/S Ekspedisjonen and have been awarded for the Norsk Form prize 2005.

www.dsekspedisjonen.no

Name: D/S Ekspedisjonen
Mission: The House on the Dock
Period: 2005
Delivery: concept development, art direction of interior, profiling, furniture design
See also: D/S Chair and Table

.
These tables and chairs were especially designed and manufactured for D/S Ekspedisjonen, an old warehouse that has been transformed into comfortable apartments for tourists in Dale I Sunnfjord. The inspiration came from the old steam boats that used to dock at the Dampskip ekspedisjon. Both chairs and tables are produced in massive oak. They are divided by a strip of sikaflex, which is inspired by the deck of a ship.
D/S Table and Chair: awarded Norsk Form prize 2005
(the nice cat on the picture is called Sushi and he begins to like fish)

www.dsekspedisjonen.no

Name: D/S Chair and Table
Mission: Furniture for D/S Ekspedisjonen
Period: 2005
Delivery: concept development, art direction of interior, furniture design
See also: D/S Ekspedisjonen

.
The Askvoll region is located on the West coast of Norway.  We were asked to create a new identity and accompanying paraphanelia for them. The baseline “Rom for eventyr” (space for adventures) inspired us to create their identity just as the natural, funny and extraordinary people that live there.

Name: Askvoll Kommune
Mission: Municipality Identity
Period: 2006
Delivery: identity & branding, publications, design manual

.
L´Auberge Ravoux was the last place Vincent van Gogh lived. Here he painted 70 paintings in 70 days, whereof many are considered to be masterpieces. Auberget has thousands of visitors every year. It has also got an excellent kitchen. After five years of Art Direction for La Maison de Van Gogh, we designed this food/art book for a publisher in NYC.
It got the ” Design Award” in San Diego in 2002 by the IACP, International Association of Culinary Professionals.

Name: La Maison de Van Gogh
Mission: Art Direction & Food/Art Book
Publisher: Artisan Books
Period: 1995-1999 & 2001
Delivery: concept, art direction, graphic design

.
Lutelandet is a Norwegian company which works on the industrial development of natural gas embedded in stone. We were asked to design a new visual identity for the company.

The new visual identity for Lutelandet includes logotype, letterhead and business cards.
Lutelandet was presented at the oil fair in Stavanger, Norway in 2006.

www.lutelandet.no

Name: Lutelandet
Mission: Visual Identity
Period: 2006
Delivery: profiling, exhibition booth concept and design

.
Through observations of everyday human rituals we find inspiration for unique ideas. As part of the food-ritual series we have two objects in production: Mouillette and Mums.

Mouillette is a board inspired by a french food-ritual. For breakfast one eats two soft boiled eggs, you prepare bread in lammells with butter and salt and you dip it into the egg.

Mouillette is an egg cup and bread board all in one. It is made out of Massive Ash and produced by Vevang Produksjon.

Ideal for little children and grown-up fishermen alike, Mums is a board for enjoying bread and drinks on a bench or on the grass. Prepared with a hole for a glass and a shape that lays steadily on your lap, the board has become popular for fishermen at sea and on shore picnics in the park.

Mums is a snack board with a glass holder all in one. It is made out of Massive Ash and produced by Vevang Produksjon.

Name: Mouillette & Mums
Mission: Food Rituals
Period: 2003
Delivery: concept development, product design

.
Fjaler Næringsutvikling (Fjaler business development) asked us to create their new visual identity in 2006. Three years later a new FNU brochure followed, listing all companies that are located in the Fjaler municipality.

Name: FNU
Mission: Visual Identity / Business brochure
Period: 2006 / 2009
Delivery: identity & branding, profiling documents, web design
.

.
Mori is a company from the Sogn og Fjordane region in Norway who produce baby care products with ecological ingredients.

Name: Mori
Mission: Babycare
Client:
Period: 2004
Delivery: identity & branding, packaging, graphic design

.
Malmlaft is one of the leading timber house producers in Norway. We were asked to look in to the future and develop a fresh concept and strategy for the company.

Name: Malmlaft
Mission: Neotimberhouses
Period: 2006
Delivery: concept development, strategy

.
We were asked to develop a new design strategy for SoFt (Sogn og Fjordane Teater). It is the only Teater playing in nynorsk, one of the norwegian language and mainly spoken on the west coast.

www.softeater.no

Name: SoFt
Mission: Theatre Identity
Client: Sogn og Fjordane Teater
Period: 2003
Delivery: design strategy, identity & branding, brochure design

.
The Taillevent in Paris is the oldest three star gourmet restaurant. It also has one of the most famous wine cellars in the world. The client wanted a wine catalogue that had the quality of an art catalogue for mail ordering their wine. The illustrations communicate the mystical atmosphere of the wine cellar through images of the wines shadow.

www.taillevent.com

Name: Les Caves Taillevent
Mission: Wine Catalogue
Period: 2002
Delivery: concept development, art direction, graphic design

.
The RCN United World College is based in Dale i Sunnfjord, Norway. Its aim is to use education as a force to unite people. The Nordic College, with a special emphasis on environmental and humanitarian concerns, brings highly motivated young students from all parts of the world so
they can live and learn together.
The objective of the UWC is to help students become active, involved and educated citizens whose attitudes towards understanding and services to society will be a powerful catalyst for change.

www.uwc.no

Name: United World College
Mission: Visual Identity
Period: 2004
Delivery: concept development, graphic design

.
Lhuman is a 2 meter high floorlamp with a light source on the whole length of the body. It plays with human tactility: when you move your hand on the side of the lamp, integrated sensors make the light color change. It mixes the primary colors to obtain every nuance in the specter. The mood of the room is adapted to the feeling one want to convey: from a clear white and icy blue, a fancy pink to green or a warm orange.

Name: Lhuman
Product: Tactile floor lighting
Period: prototype 1998

.
Paris Relocation Service is a service that offers new housing possibilities to people who are moving to or within Paris. Inspired by the action of moving from one place to an other, we designed the visual identity of PRS.

Name: Paris Relocation Service
Mission: Visual Identity
Period: 2002
Delivery: graphic design

.
Hôtels & Préférence is a network of privately owned properties with more than 130 superb hotels and resorts in locations all around the world. The portfolio of Hôtels & Préférence is comprised of specifically chosen properties to meet the unique interpretations of indulgence. Each member is selected based on their contrasting style, eclectic atmosphere and superb location as well as their tradition to uphold excellent standards of amenities and service.

www.hotelsandpreference.com

Name: Hôtels & Préférence
Mission: Hotel Branding
Period: 1999
Delivery: branding & identity, signal

..
“Communication in print involves paper. Words and pictures in a graphical expression. The goal is to deliver the message to the reader effectively. Here the right choice of paper becomes an important question. Dalum has the answer. Let the paper talk …”

The paper products from Dalum were shown at the Palais de Congrès on the international paper fair Intergraphic in Paris 2003.

2003 : 250 % more contacts than in 2002
2004 : Stand from 2003 reused at 100%

www.dalumpapir.dk

Name: Dalum
Mission: Exhibition
Period: 2003, 2004, 2005
Delivery: exhibition booth concept and design

.
Ice Archeology is the scenography for the International Ice-Art Festival 2003 (held at the Norwegian glacier museum in Fjæreland, Norway) and ice sculptures.
Future archeology ice-modules with the discoveries and belongings of a frozen-down chinese ice-sculptor incased. Medium: glacier ice, plastic gloves, drawings, CD, banana skin, person…

Name: Ice Archeology
Mission: Artwork
Period: 2003
Delivery: ice sculptures exhibition

.
Elyor is a French cosmetic with international range.

Name: Elyor
Mission: Luxury Cosmetic Line
Period: 2000
Delivery: design strategy, identity & branding, packaging

.
Satellite telephone booth concept IN-MARSAT for satellite communications. Scale model out for stainless steel with solar energy cells.

Name: Teleport
Mission: Satellite Telephone
Period: 1999
Delivery: product design

.
Janssens & Janssens is a haute couture fabrics shop located in the golden triangle, Faubourg-saint-Honoré in Paris. Their clients range from royalties to sheikhs visiting the capital. We were asked to design the J&J ogo and all profiling elements of the company.

Name: Janssens & Janssens
Mission: Create the identity for a haute couture fabrics shop
Period: 1996-2000
Delivery: logo, visual identity, shop fasade, bags, stickers and tags.

.
Letz Martin is a parisian couture fashion label. We were asked to design their logo and label for the two creators.

Name: Letz Martin
Mission: fashion branding
Period: 2001
Delivery: logo and label design

.
Gestitres is the leading financial back office in France. We worked with Gestitres in design and art direction from 1996 to 2001 for their financial reports and intranet.

Name: Gestrites
Mission: Annual Reports
Period: 1996-2001
Delivery: financial report design, intranet design